{"id":4991,"date":"2022-08-05T01:56:05","date_gmt":"2022-08-04T23:56:05","guid":{"rendered":"https:\/\/www.proof.de\/?p=4991"},"modified":"2022-08-05T01:59:08","modified_gmt":"2022-08-04T23:59:08","slug":"digital-first-often-means-colour-problems-second","status":"publish","type":"post","link":"https:\/\/proof.proofen.de\/es\/digital-first-often-means-colour-problems-second\/","title":{"rendered":"&#8220;Digital First&#8221; hei\u00dft oft: &#8220;Farbprobleme Second!&#8221;"},"content":{"rendered":"<div class=\"kk-star-ratings kksr-auto kksr-align-right kksr-valign-top\" data-payload='{\"align\":\"right\",\"id\":\"4991\",\"slug\":\"default\",\"valign\":\"top\",\"ignore\":\"\",\"reference\":\"auto\",\"class\":\"\",\"count\":\"3\",\"legendonly\":\"\",\"readonly\":\"\",\"score\":\"3.7\",\"starsonly\":\"\",\"best\":\"5\",\"gap\":\"5\",\"greet\":\"Jetzt bewerten\",\"legend\":\"3.7\\\/5 - (3 votes)\",\"size\":\"24\",\"title\":\"\\u0026quot;Digital First\\u0026quot; hei&szlig;t oft: \\u0026quot;Farbprobleme Second!\\u0026quot;\",\"width\":\"104.8\",\"_legend\":\"{score}\\\/{best} - ({count} {votes})\",\"font_factor\":\"1.25\"}'>\n            \n<div class=\"kksr-stars\">\n    \n<div class=\"kksr-stars-inactive\">\n            <div class=\"kksr-star\" data-star=\"1\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"2\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"3\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"4\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" data-star=\"5\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n    <\/div>\n    \n<div class=\"kksr-stars-active\" style=\"width: 104.8px;\">\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n            <div class=\"kksr-star\" style=\"padding-right: 5px\">\n            \n\n<div class=\"kksr-icon\" style=\"width: 24px; height: 24px;\"><\/div>\n        <\/div>\n    <\/div>\n<\/div>\n                \n\n<div class=\"kksr-legend\" style=\"font-size: 19.2px;\">\n            3.7\/5 - (3 votes)    <\/div>\n    <\/div>\n\n<p class=\"wp-block-paragraph\">Cada vez con m\u00e1s frecuencia hemos estado recibiendo <a href=\"https:\/\/proof.proofen.de\/es\/lexico-4\/gestion-del-color-3\/\" target=\"_self\" title=\"El objetivo de la gesti\u00f3n del color es garantizar que los colores se reproduzcan de la forma m\u00e1s similar posible en los distintos dispositivos, como c\u00e1maras, esc\u00e1neres, monitores, impresoras l\u00e1ser, de inyecci\u00f3n de tinta, offset y muchos m\u00e1s.\" class=\"encyclopedia\">Gesti\u00f3n del color<\/a>-Consulting-Anfragen, bei denen &ldquo;Digital First&rdquo;-Designs an ihre Grenzen geraten: N&auml;mlich immer dann, wenn nach einigen Monaten oder Jahren der erste Messeauftritt, der erste Jahresbericht oder der erste Katalog im klassischen Onlinedruck ansteht. Und genau in diesem Moment f&auml;llt allen Beteiligten auf, da&szlig; sie gar nicht wissen, wie sich ihre &ldquo;Digital First&rdquo;-Farbstrategie im Druck darstellen soll. Doch zeigen wir das Problem einmal von vorne:<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Digital First = Primera prioridad para los medios digitales en l\u00ednea. Pero, \u00bfqu\u00e9 pasa cuando llega la presi\u00f3n?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">Incluso para las grandes corporaciones mundiales y las peque\u00f1as empresas, hoy en d\u00eda se suele aplicar lo siguiente a los dise\u00f1os o redise\u00f1os: primero desarrollamos todo para digital. Por tanto, las agencias crean mundos de color <a href=\"https:\/\/proof.proofen.de\/es\/lexico-2\/rgb\/\" target=\"_self\" class=\"encyclopedia tooltipstered\">RGB<\/a> para el nuevo <a href=\"https:\/\/proof.proofen.de\/es\/lexico-2\/diseno-corporativo\/\" target=\"_self\" class=\"encyclopedia tooltipstered\">dise\u00f1o corporativo<\/a>, a menudo con colores de pantalla n\u00edtidos y saturados y fuertes tonos pastel. Y si se utilizan colores para diferentes productos o l\u00edneas de comunicaci\u00f3n, entonces se crea, presenta y aprueba un mundo de color corporativo completo con muchos colores de dise\u00f1o corporativo en RGB, se lanza la cartera de presentaci\u00f3n en l\u00ednea y la empresa se presenta digitalmente bajo una nueva luz de dise\u00f1o corporativo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Todo funciona bien al principio, y todo el mundo lo mira en su monitor y est\u00e1 satisfecho. Pero entonces, al cabo de un a\u00f1o, llega la primera feria y el primer informe anual impreso. Muy bien, piensan agencia y cliente, cogemos nuestros colores \"digital-first\" y los imprimimos en offset en nuestro informe anual y en impresi\u00f3n digital en el muro de nuestra feria y en carteles. Pero como muy tarde, cuando el primer borrador del dise\u00f1o sale de la impresora l\u00e1ser y la imprenta ha impreso las primeras p\u00e1ginas del cat\u00e1logo, es hora de desayunar la resaca del color. <\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>\"Oh mierda, eso parece completamente diferente de lo que veo online en mi monitor\".<\/strong><\/li><li><strong>\"El azul es demasiado morado ahora, \u00bfno? \u00bfO el morado es azul ahora?<\/strong><\/li><li><strong>\"Se ve\u00eda diferente y mejor en la presentaci\u00f3n en el televisor de pantalla grande, \u00bfno?\"<\/strong><\/li><li><strong>&ldquo;Das knackige Ultramarin ist auf dem <a href=\"https:\/\/proof.proofen.de\/es\/lexico-4\/papel-natural\/\" target=\"_self\" title=\"Se refiere a todos los papeles que no han sido acabados con un revestimiento. El papel no estucado tambi\u00e9n se denomina papel sin estucar.\" class=\"encyclopedia\">Papel natural<\/a> ziemlich verwaschen und blass&hellip;&rdquo;<\/strong><\/li><li><strong>&ldquo;Idee: Wir drucken mit <a href=\"https:\/\/proof.proofen.de\/es\/lexico-4\/pantone\/\" target=\"_self\" title='Pantone es el fabricante del Pantone Matching System, un sistema de colores popular en la impresi\u00f3n en todo el mundo, que en 2010 pas\u00f3 a llamarse &quot;Pantone Plus Series&quot; y desde entonces se ha ampliado a 1755 colores.' class=\"encyclopedia\">PANTONE<\/a> Colores, entonces se vuelve m\u00e1s colorido. \u00bfPero cu\u00e1les? <\/strong><\/li><li><strong>\"Con Heiner, el abanico PANTONE encajaba perfectamente con la pantalla, pero con Ingrid, en absoluto\".<\/strong><\/li><li>\"<strong>Y c\u00f3mo, tres colores PANTONE y <a href=\"https:\/\/proof.proofen.de\/es\/lexico-4\/cmyk\/\" target=\"_self\" title='CMYK son las siglas de los cuatro colores de impresi\u00f3n: cian, magenta, amarillo (yellow) y &quot;key&quot; (negro o parte negra).' class=\"encyclopedia\">CMYK<\/a> en imprenta <\/strong><strong>costes<\/strong> <strong>viel mehr?&rdquo;<\/strong><\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">A m\u00e1s tardar en ese momento, todos los implicados se dan cuenta de que va a ser dif\u00edcil y de que tienen mucho trabajo por delante. Tomemos un ejemplo concreto del pasado: Para m\u00e1s de 10 tonos de color <a href=\"https:\/\/proof.proofen.de\/es\/lexico-2\/srgb\/\" target=\"_self\" class=\"encyclopedia tooltipstered\">sRGB<\/a>, hay que encontrar r\u00e1pidamente equivalentes para <a href=\"https:\/\/proof.proofen.de\/es\/lexico-2\/color-especial\/\" target=\"_self\" class=\"encyclopedia tooltipstered\">colores planos<\/a> y CMYK para la impresi\u00f3n de im\u00e1genes y papel no estucado. Aqu\u00ed surgen cuestiones importantes:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>\u00bfQui\u00e9n decidi\u00f3 el dise\u00f1o del color bas\u00e1ndose en qu\u00e9 vista hace un a\u00f1o?<\/li><li>\u00bfVieron los colores en el monitor? \u00bfEn el proyector? \u00bfEn el iPad? \u00bfEn el televisor de pantalla grande? \u00bfEstaban calibrados? <\/li><li>\u00bfDebe imprimir con PANTONE, CMYK o ambos? \u00bfPapel estucado? \u00bfPapel no estucado?<\/li><li>\"El impresor tuvo la amabilidad de elegir un color PANTONE para todos nuestros tonos\".<\/li><li>\u00bfUn color PANTONE? \u00bfPara estucado y no estucado? \u00bfDe qu\u00e9 partieron? \u00bfY c\u00f3mo determinaron el color PANTONE m\u00e1s adecuado? \u00bfA ojo? \u00bfMedici\u00f3n? \u00bfC\u00e1lculo?<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">La Proof.de hace imprimibles los mundos en color \"digital first\".<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full\"><a href=\"https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/proof_de_PANTONE_CMYK.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"550\" src=\"https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/proof_de_PANTONE_CMYK.jpg\" alt=\"\" class=\"wp-image-4997\" srcset=\"https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/proof_de_PANTONE_CMYK.jpg 550w, https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/proof_de_PANTONE_CMYK-300x300.jpg 300w, https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/proof_de_PANTONE_CMYK-150x150.jpg 150w, https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/proof_de_PANTONE_CMYK-80x80.jpg 80w, https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/proof_de_PANTONE_CMYK-60x60.jpg 60w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\"><\/a><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Hemos podido ayudar a muchos clientes a tomar decisiones y convertir mundos de color en l\u00ednea SRGB \"primero digitales\" en colores imprimibles. Esto no significa que hayamos podido encontrar conversiones \u00f3ptimas de colores planos CMYK o PANTONE para todos los colores en l\u00ednea. Pero s\u00ed significa que hemos podido determinar buenos valores de conversi\u00f3n para todos los colores y, en el caso de desviaciones fuertes, explicar por qu\u00e9 se produjeron y en base a qu\u00e9 criterios nos decidimos por la mejor de las malas conversiones. \u00bfEn qu\u00e9 medida el color original \"Fuera de <a href=\"https:\/\/proof.proofen.de\/es\/lexico-4\/gama\/\" target=\"_self\" title=\"La gama (tambi\u00e9n: rango de color) comprende el conjunto de todos los colores de un espacio de color que pueden ser reconocidos (c\u00e1mara, esc\u00e1ner) o reproducidos (impresora, monitor) por un dispositivo. Se ilustra en forma de cuerpo de color.\" class=\"encyclopedia\">Gama<\/a>\"? \u00bfEs mejor que busquemos el mayor colorido posible o la mejor coincidencia de brillo, que entonces puede ser menos colorida? \u00bfPodemos utilizar el mismo color directo PANTONE para la impresi\u00f3n de im\u00e1genes y el papel no estucado, o utilizamos colores diferentes para el Coated y el Uncoated? <\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Para estos trabajos de asesoramiento sobre el color no nos basamos en palabrer\u00eda, sino en la medici\u00f3n, la determinaci\u00f3n y el c\u00e1lculo de las distancias crom\u00e1ticas. <\/h3>\n\n\n\n<p class=\"wp-block-paragraph translation-block\">A menudo es m\u00e1s f\u00e1cil hablar de colores si se habla de medidas y no de sensaciones. A menudo se puede utilizar una matriz de color para mostrar qu\u00e9 aspecto tendr\u00edan m\u00e1s o menos cian y magenta en una mezcla de colores. Con una muestra o un abanico como referencia, los colores se pueden muestrear m\u00e1s f\u00e1cilmente y es m\u00e1s f\u00e1cil entender d\u00f3nde est\u00e1n las limitaciones de una conversi\u00f3n CMYK y de un <a href=\"https:\/\/proof.proofen.de\/es\/lexico-2\/espacio-cromatico\/\" target=\"_self\" class=\"encyclopedia tooltipstered\">espacio de color<\/a>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large\"><a href=\"https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/PANTONE_zu_CMYK_Optimierung_Farbmatrix_Magenta_Cyan_Proof_de.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1004\" height=\"1024\" src=\"https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/PANTONE_zu_CMYK_Optimierung_Farbmatrix_Magenta_Cyan_Proof_de-1004x1024.jpg\" alt=\"Optimizaci\u00f3n de PANTONE a CMYK de Proof.de: matriz de color para igualar impresiones existentes y plantillas de color como abanicos PANTONE o referencias pintadas.\" class=\"wp-image-4994\" title=\"Optimizaci\u00f3n de PANTONE a CMYK de Proof.de\" srcset=\"https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/PANTONE_zu_CMYK_Optimierung_Farbmatrix_Magenta_Cyan_Proof_de-1004x1024.jpg 1004w, https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/PANTONE_zu_CMYK_Optimierung_Farbmatrix_Magenta_Cyan_Proof_de-294x300.jpg 294w, https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/PANTONE_zu_CMYK_Optimierung_Farbmatrix_Magenta_Cyan_Proof_de-768x783.jpg 768w, https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/PANTONE_zu_CMYK_Optimierung_Farbmatrix_Magenta_Cyan_Proof_de-1506x1536.jpg 1506w, https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/PANTONE_zu_CMYK_Optimierung_Farbmatrix_Magenta_Cyan_Proof_de-60x60.jpg 60w, https:\/\/proof.proofen.de\/wp-content\/uploads\/2022\/07\/PANTONE_zu_CMYK_Optimierung_Farbmatrix_Magenta_Cyan_Proof_de.jpg 1882w\" sizes=\"auto, (max-width: 1004px) 100vw, 1004px\"><\/a><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Al final, trabajamos con el cliente para determinar la mejor conversi\u00f3n de color para su aplicaci\u00f3n: si el dise\u00f1o est\u00e1 escrito en letra blanca sobre un campo de color sRGB coloreado, probablemente sea m\u00e1s \u00fatil utilizar un valor de color m\u00e1s saturado y, por tanto, algo m\u00e1s oscuro, lo que aumenta el contraste y la legibilidad de la letra blanca sobre el fondo coloreado. Si, por el contrario, se escribe en negro, suele ser \u00fatil mantener el brillo pr\u00f3ximo al original sRGB o PANTONE y renunciar a \"m\u00e1s\" colorido. D<a href=\"https:\/\/proof.proofen.de\/es\/lexico-4\/efi\/\" target=\"_self\" title=\"Electronics For Imaging Inc., EFI para abreviar, es una empresa estadounidense y fabricante de uno de los principales sistemas de pruebas del mundo: EFI Colorproof XF, desde 2013: Fiery XF. EFI es un proveedor de soluciones para grandes sistemas de impresi\u00f3n, RIP y soluciones de gesti\u00f3n del color como las pruebas.\" class=\"encyclopedia\">efi<\/a>\u00bfUtilizamos colores PANTONE diferentes para Coated y Uncoated, o utilizamos un solo color por coherencia y facilidad de comunicaci\u00f3n? Y por las mismas consideraciones, \u00bfutilizamos los mismos valores CMYK para la impresi\u00f3n de im\u00e1genes y el papel no estucado, o diferentes?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u00bfNecesita una conversi\u00f3n de sRGB a CMYK? P\u00f3ngase en contacto con nosotros.<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Si necesita convertir colores RGB de dise\u00f1os coimpresos en \"Digital First\" a CMYK, p\u00f3ngase en contacto con nosotros en cualquier momento. Le asesoraremos y ayudaremos de forma transparente y competente y le apoyaremos para que consiga la mejor soluci\u00f3n posible para usted y con usted.<\/p>","protected":false},"excerpt":{"rendered":"<p>\u00daltimamente, recibimos cada vez m\u00e1s consultas de consultor\u00eda sobre gesti\u00f3n del color cuando los dise\u00f1os \"primero digitales\" est\u00e1n llegando a su l\u00edmite: A saber, cuando la primera aparici\u00f3n en una feria comercial, el primer informe anual o el primer cat\u00e1logo en impresi\u00f3n cl\u00e1sica en l\u00ednea est\u00e1 previsto para dentro de unos meses o a\u00f1os. Y es precisamente en ese momento cuando todos los implicados se dan cuenta de que ni siquiera saben c\u00f3mo debe quedar impresa su estrategia de color \"digital first\". Pero veamos el problema desde el principio: digital first = primera prioridad para los medios digitales en l\u00ednea. Pero, \u00bfy si llega la impresi\u00f3n? Incluso para las grandes corporaciones globales hasta las peque\u00f1as ... <\/p>\n<p class=\"read-more-container\"><a title=\"&#8220;Digital First&#8221; hei\u00dft oft: &#8220;Farbprobleme Second!&#8221;\" class=\"read-more button\" href=\"https:\/\/proof.proofen.de\/es\/digital-first-often-means-colour-problems-second\/#more-4991\" aria-label=\"Read more about &#8220;Digital First&#8221; hei\u00dft oft: &#8220;Farbprobleme Second!&#8221;\">Leer m\u00e1s<\/a><\/p>","protected":false},"author":2,"featured_media":4994,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1,436],"tags":[1200,1328,690,1330,1332,526,541,549,1331],"class_list":["post-4991","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","category-pantone-und-hks","tag-corporate-design","tag-digital-first","tag-farbmanagement","tag-farbmanagement-beratung","tag-farbmanagement-consulting","tag-pantone","tag-rgb","tag-srgb","tag-srgb-farben","generate-columns","tablet-grid-50","mobile-grid-100","grid-parent","grid-50","no-featured-image-padding","resize-featured-image"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"Immer \u00f6fter erreichen uns in letzter Zeit Farbmanagement-Anfragen, bei denen &quot;Digital First&quot;-Designs an ihre Grenzen geraten. 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